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| Article | Author | Page |
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Foreword | The Editors |
5 |
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| From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool |
ELIF BAŞ |
7 |
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| Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s The Girl in the Tangerine Scarf (2006) |
ISHAK BERREBBAH |
29 |
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| Ali Smith’s There But For The: Identity, Hospitality and Transcendence in the Age of Surveillance |
ANDREI-BOGDAN POPA |
52 |
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| Gandhian Fasting and Cultural Indigestion in Jeffrey Eugenides’ “Air Mail” |
ANA-BLANCA CIOCOI-POP |
74 |
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Echoes of Sapphic Gods and Goddesses, Immortality, Eros and Thanatos in the Work of Modernist Women Poets |
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IRIS RUSU |
83 |
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| On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed” |
SOHAIB MALKAWI |
109 |
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| A Comparative Analysis of Translations of Lucian Blaga’s Poetry into English |
ALEXANDRA MITREA |
123 |
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| Speech Acts across Cultures: Teaching Compliment Exchanges |
CLAUDIA E. STOIAN |
144 |
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Notes on Contributors | |
163 |
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Guidelines for
Contributors |
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