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| Article | Author | Page |
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Foreword | The Editors |
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| The Darling Men of Sean O’Casey’s Juno and the Paycock: An Early Postmodern Representation of Masculinity |
SOHAIB MALKAWI | 7 |
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| “She Isn’t Going to Give Up”: Women’s Resilience in Monica Ali’s Brick Lane – A Feminist Reading |
ANA-BLANCA CIOCOI-POP |
19 |
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“See the Child”: Representations of Childhood in Blood Meridian and The Road by Cormac McCarthy |
MĂDĂLINA LARISA KIMAK |
28 |
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Give Us This Day Our Daily Absurd, As We Also Have Given It to Our Absurd-mongers! One Look at the Absurd in Romanian Culture |
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ESTELLA CIOBANU |
36 |
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Cultural Encounters: Glimpses of the United States in Late Twentieth-Century Romanian Travel Narratives |
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ANCA-LUMINITA IANCU |
65 |
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| ‘The Cake is (Not) a Lie:’ Intertextuality as a Form of Play in Digital Games |
DIANA MELNIC, VLAD MELNIC |
89 |
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| Anxiety and Enjoyment in the Foreign Language Classroom |
EWELINA MIERZWA |
106 |
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| I vs. We. First Person Personal Pronouns in Political Speeches |
ILINA-MIHAELA STĂNCULETE |
121 |
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Notes on Contributors | |
135 |
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Guidelines for
Contributors |
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