Tiffany
Atkinson
is a
poet and critic, and a
lecturer in English and
creative writing at
Aberystwyth
University.
She won the BBC Radio Young
Poet of the Year Competition
in 1993-4, the Faber Poetry
Competition in 2000, and the
Cardiff International Poetry
Competition in 2001. Her
collection Kink and
Particle (Seren,
2006) won the Jerwood
Aldeburgh First Collection
Award in 2007, and
her second collection,
Catulla et al
(Bloodaxe,
2011) is shortlisted for the
Wales Book of the Year Award
2012.
E-mail:
tiffanyatkinson@aber.co.uk
Peter Barry
is Professor of English at
Aberystwyth
University.
His books include
Contemporary British Poetry
and the City
(2000),
Beginning Theory
(1995, 2002, 2009),
English
in Practice
(2003),
Poetry
Wars: British Poetry of the
1970s and the Battle of
Earls Court
(2006) and
Literature in Contexts
(2007). His next books are
Reading Poetry
(Manchester University
Press, 2012), which contains
an expanded version of the
article printed in this
issue, and
Contemporary Poetry for
the Continuum Companions
Series.
E-mail:
ptb@aber.ac.uk
Matthew Jarvis
is the Anthony Dyson Fellow
in Poetry in the
School
of
Cultural Studies
at the
University
of
Wales Trinity
Saint David. He is the
author of numerous essays
and reviews, and his book
Welsh Environments in
Contemporary Poetry was
published in 2008, and his
monograph
Ruth Bidgood appears in
the
University
of
Wales Press
‘Writers of Wales’ series in
2012. He is a member of
investigating team for the
Leverhulme-funded project
‘Devolved Voices: Poetry in
Wales
since Devolution’ which runs
from 2012 to 2015.
E-mail:
matthewjarvis@aber.co.uk
Ovidiu Matiu
is a Teaching Assistant with
the Department of
Anglo-American and German
Studies at “Lucian Blaga”
University
of
Sibiu.
His research focuses on
modern and postmodern
American literature,
religion and literature, and
translation studies.
E-mail:
ovidiu.matiu@ulbsibiu.ro
Raluca Moldovan
is an historian specialising
in the history and
representation of the
Holocaust in cinema, among
other subjects. She has been
teaching in the American
Studies programme at
Babes-Bolyai
University,
Cluj Napoca, since 2004. Her
courses and seminars include
American History, American
Film and American Popular
Culture. She is currently
preparing for publication
the manuscript of her
doctoral thesis,
The Representation of the
Holocaust in Film, and
is also working on a series
of studies examining the
relationship between history
and cinema. She is a member
of the Romanian Association
for American Studies and of
the Association for the
Study of Nationalities (Columbia
University,
New York).
E-mail:
raluca@euro.ubbcluj.ro
Adriana Neagu
is Associate Professor of
Anglo-American Studies at
Babes-Bolyai
University,
Cluj-Napoca.
She is the author of
Sublimating the Postmodern Discourse: toward a Post-Postmodern Fiction
in the Writings of Paul
Auster and Peter Ackroyd
(2001),
In the Future Perfect: the
Rise and Fall of
Postmodernism (2001),
and of numerous critical and
cultural theory articles.
Her teaching areas are
diverse, combining literary
and cultural studies
disciplines. Her main
specialism is in the poetics
of modernist and
postmodernist discourse,
postcolonial theory and the
literatures of identity, and
translation theory and
practice. Since
1999,
Dr Neagu has been Advisory
Editor and, since
2004,
Editor-in-Chief of
American, British and
Canadian Studies, the
journal of the Academic
Anglophone Society of
Romania.
E-mail:
adriananeagu@lett.ubbcluj.ro
Christopher oscar peña
is a playwright from
California
currently splitting his time
between
New York City
and
Chicago.
He
received his B.A. in
Dramatic Arts from UC Santa
Barbara where he studied
with Naomi
Iizuka
and holds an M.F.A. in
Dramatic Writing from NYU's
Tisch School of
the Arts.
His
plays include
maelstrom,
l(y)re, however long the
night,
i
wonder if it’s possible to
have a love affair that
lasts forever? or things i
found on craigs list,
icarus burns, the suicide
tapes, alone above a raging
sea
and
a cautionary
tail.
His work has been developed
or seen at the Public
Theater, ARS NOVA, NYU Grad,
INTAR, Rattlestick
Playwrights Theater,
The Flea, the Ontological
Hysteric Incubator, Rising
Circle, Pavement Group
(Chicago), Son of Semele
(LA) and the New York
Theatre Workshop.
With Vayu O’Donnell, he is
the creator of 80/20, a new series for the web launching this
fall in which he will also
be co-starring.
An alumni of INTAR’s
Hispanic Playwrights Lab, he
has also been an Emerging
Artist Fellow at NYTW, a
Writing Fellow with the
Playwrights Realm, and was a
recipient of both the Corwin
Award for Playwriting, and
the Latino Playwrights Award
from the
Kennedy
Center
in
Washington,
D.C.
He has been a visiting
fellow at the O'Neill
Playwrights Conference, the
Sewanee Writers Conference
in
Tennessee
and most recently was in
residence at the Orchard
Project.
In 2011, christopher
traveled to
London
as part of the t.s. eliot
US/UK Exchange with the Old
Vic New Voices where his
play
however
long the night
premiered on the Old Vic
stage.
This year his play
icarus burns will be
featured as part of the
Crossing Borders Festival at
Two Rivers Theater, and he
will be developing a new
piece currently titled
THE HOST at New York
Stage and Film.
He is the Lark Play
Development Centers 2012 Van
Lier Fellow and
is represented by Kate Navin
at Gersh.
E-mail:
pointofreference@gmail.com
David E. Thomas
grew up on the Hi-Line in
North-central Montana.
He graduated from the
University
of
Montana
then found himself on the
streets of
San Francisco
where he began his literary
education. Economic
realities drove him to work
on railroad gangs, big
construction projects like
Libby Dam and other labor
intensive jobs.
He has traveled in
the
United States,
Mexico
and
Central America.
He has published three books
of poems, Fossil Fuel,
Buck’s Last Wreck and
The Hellgate Wind and a
new book of poems
Waterworks Hill has been
newly released from
Foothills Publishing. He has
poems in the anthologies
The Last Best Place and
Poems across the Big Sky
and most recently New
Poets of the American West.
He currently lives in
Missoula,
Montana.
E-mail:
montanahoochie@live.com
L. Lamar Wilson
is the author of
Sacrilegion,
winner
of the 2012 Carolina Wren
Press Poetry Series, which
will be published in early
2013. Individual poems from
this debut collection have
been published in
jubilat, Vinyl, Callaloo
and The 100 Best
African-American Poems.
He has received fellowships
from the Cave Canem
Foundation and the Blyden
and Roberta Jackson Fund. He
is a 2012 Pushcart Prize
nominee, was the winner of
the 2011 Beau Boudreaux
Poetry Prize and was twice a
finalist for the New Letters
Poetry Prize. He holds an
MFA in creative writing from
Virginia Tech and is a
doctoral fellow in English
at the
University
of
North Carolina
at
Chapel Hill,
studying African-American
and
Caribbean
poetics.
E-mail:
llamarwilson@gmail.com
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