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| Article | Author | Page |
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Preface | |
5 |
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Metafictional
Twist Endings in Ian McEwan’s
Atonement and Sweet Tooth
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Monica Cojocaru | 7 |
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Concepts of Style in The Pastures of Heaven |
Sorin Ștefănescu |
20 |
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Is Kazuo Ishiguroʹs The Remains of the Day
the Work of a “Naïve” or a “Sentimental” Writer? |
Clementina Mihăilescu
Eric Gilder | 31 |
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American Dreams in the City:
Quests for Identity in Elizabeth
Stern’s My Mother and I
(1917) and Rose Cohen’s Out of
the Shadow (1918) |
Anca-Luminița Iancu | 44 |
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The Angel in the House, the Household General, the
Ethereal Queen – Cultural and Patriarchal Representations of
Women in 19th Century Britain |
Ana-Blanca Ciocoi-Pop | 65 |
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The Women Who Have Changed This Place: Romania’s Feminists
and Their Interest in Education |
Ana-Karina Schneider | 75 |
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Max Blecher and the Sense of Search for Self |
Daniela Moldoveanu |
98 |
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The Neurotic Prufrock: A Lacanian Reading of Eliot’s
The Love Song of J. Alfred Prufrock |
Pyeaam Abbasi
| 116 |
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| Translation of Wordplay in
Alice’s Adventures in Wonderland |
Andreea Maria Teodorescu | 132 |
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Notes on Contributors | |
215 |
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Guidelines for
Contributors |
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